Addiction

The denotation of the term "addiction" has evolved a great deal across the ages. In ancient Rome, the term was appropriated to describe the formal sentencing or commitment of a person to his master, such as a debtor to a lender. Later, circa 1600s, it came to be used more innocuously to characterize a penchant, a fancy, or a devoted interest. For example, one might perhaps be "addicted" to knitting or gardening. As time and culture progressed, substances such as morphine, heroin, cocaine, and alcohol also fell among these penchants.

Notorious drunkards, hardly a new feature in the streets of London, appear in many a portrait of lower-class Victorian society and were said to be ailed by "alcoholic inebriety" or "dipsomania." Before advancements in physiology identified the development of a physical dependence in these individuals, they were historically written off as immoral and lacking self-restraint.  It wasn't until nearly 1852 that the familiar modern-day term "alcoholism" arose, mostly to the credit of Swedish physician Magnus Huss.

Opium, perhaps alcohol's more persuasive cousin and precursor to some of the aforementioned drugs, also played a starring role in both London's cultural theater and the global imperialist theater (regarding the Opium Wars with China). Literature and press from the mid-19th century depicts London's East End as home to so-called "opium dens," dark, secluded gathering places for communal indulgence in the many varieties and tinctures concocted from the "juice" of the poppy plant.

Factory Work

The population of London grew from 950,000 in 1800 to 6 million in 1900. After 1850 Chinese immigrants started settling in Limehouse. There were also many Irish immigrants in the Docklands. By 1850 London had 20,000 Jews. Their numbers doubled in the 1880's when many refugees arrived from Russia and Eastern Europe. The large number of workers made London a booming manufacturing center in the 19th century, but despite the booming industry, there was a great deal of severe poverty. Even at the end of the 19th century about 20% of the population were living at subsistence (bare survival) level. About 10% of the population were living below subsistence level because the abundant work force led to a feeble salary for factory jobs. Factory conditions were horrific, and workers were made to do hard and unpleasant work for little in return. They were cooped up in a heated atmosphere, debarred the necessary exercise, remaining in one position for a series of hours, one set or system of muscles alone called into activity. There was little to no regulation, so workers were severely exploited -- including many young children, who spent their entire adolescence doing one miserable assembly line job.

The Penny Dreadfuls

In the 1800’s a new type of literature became prevalent in Victorian Britain called a Penny Dreadful. They were mostly horrific fan fictions involving supernatural beings like vampires and werewolves that were published weekly and cost only a penny (hence its name). The topics in these narratives typically included sexual assault, poisoning, drowning, etc.

These literary works were targeted towards semi-literate young males as the stories usually included some masculine character. Many people, mostly the parents, became seemingly aware of its intent and tried to protect their young men from its violent content. Although with their effort many young men continued to get ahold of a copy and it proved to have a negative effect.  A rise in criminal activity was seen and it was primarily young men committing crimes ranging from stealing from family and friends to even killing. When they were investigated all of them were found to have had some contact with Penny Dreadfuls.

Class in London

By the mid-19^th century Britain was still, for the most part, ruled by an elite. Only small minorities of men were permitted to vote, and the upper class partially maintained its authority in this manner. Admittance into the upper class and positions of authority was largely based upon who one knew or who one was related to. The nature of the work of those in higher places was such that it held them in a powerful position giving authority, superior standards of living, and other resources which the other classes did not have access to. The class was mainly comprised of roles like aristocrats, nobles, dukes, viscounts, and other wealthy families working in the courts—and of course, royalty. In a time of social divide, with the huge lower class struggling through poor conditions of living, the upper class faced no such issues, and was mainly concerned with things like appearance, fashion (examples below), and etiquette.

Child Labor in the Industrial Era

Child labor was the norm in the rapidly industrializing 19th century London. It was the sad fact that most London families simply could not support themselves through the adult’s income alone, they needed the supplemental income of their children to sustains a semblance of a life. And what about the luxury of education? : "In 1840 perhaps only twenty percent of the children of London had any schooling”. A child like Toby actual was pretty lucky to have scored the job that he did, especially if we are to assume that belongs to the group of orphans coined “the abandoned children". The majority of the young children his age were working in coal mines, as chimney sweeps, or in factories under appalling conditions. That being said, even cushy job’s such as being a shop hand required 80 hour work weeks for only halfpence per hour (half a penny). These brutal conditions and expectations of a young child led to a multitude of health problems and shortened lives. Those who did live long enough to have children of their own often simply contented the vicious cycle until radical labor laws were passed later on.

Breeches Roles

DramaTech’s production of Sweeney Todd will feature several breeches roles. Originating in the mid-1600s during Shakespeare’s era, a breeches role is a role played by a woman depicting a male character. The demand for breeches roles increased as operas grew in popularity throughout the late seventeenth century and early eighteenth. Today, breeches roles can be spotted not only on Broadway but also on television and in movies. Common present breeches roles include Peter Pan from Peter Pan and our very own Pirelli from Sweeney Todd.  

Peter Pan was originally played by a woman, Sandy Duncan, in 1979: 

https://www.youtube.com/watch?v=1XQgQKwHus8

Blood Pipe & Trough

I love both of the above spouts. The top one has a very factory made feel. Very much to the purpose without much fancy. The second one is a really wonderful throwback to pre-Industrial styles. It reminds me a bit of the Fleet Street Dragon seen in earlier images.

Some aged Iron pipes, I'd love a look like this for the blood troughs (obviously we would be seeing the inside, not the outside). 

Old iron grate. This could be great for our "step over" coverings.